By Π ΡΠ΄Π½Π΅Π² Π.
Π ΡΠ΄Π½Π΅Π² Π., 2024, Π’Π΅Π°ΡΡΠ°Π»ΡΠ½Π°Ρ ΡΠ΅ΡΠΈΡ
Π ΠΌΠΎΠ½ΠΎΠ³ΡΠ°ΡΠΈΠΈ Π. Π ΡΠ΄Π½Π΅Π²Π° ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½Π° ΠΊΠ°ΡΡΠΈΠ½Π° ΡΠΎΠ²Π΅ΡΡΠΊΠΎΠΉ ΠΏΠΎΡΠ»Π΅Π²ΠΎΠ΅Π½Π½ΠΎΠΉ ΠΈ ΠΏΠΎΡΡΡΠΎΠ²Π΅ΡΡΠΊΠΎΠΉ Π΄ΡΠ°ΠΌΠ°ΡΡΡΠ³ΠΈΠΈ Ρ 1950-Ρ Π³ΠΎΠ΄ΠΎΠ² Π΄ΠΎ Π½Π°ΡΠΈΡ Π΄Π½Π΅ΠΉ, ΠΎΡ Π. Π ΠΎΠ·ΠΎΠ²Π° Π΄ΠΎ Π. ΠΠ°ΡΡΠΊΠΎΠ²ΡΠΊΠΎΠΉ. ΠΠ²ΡΠΎΡ ΡΡΡΠ΅ΠΌΠΈΡΡΡ Π²Π·Π³Π»ΡΠ½ΡΡΡ Π½Π° ΡΠ°Π·Π²ΠΈΡΠΈΠ΅ ΡΠΎΠ²Π΅ΡΡΠΊΠΎΠΉ Π΄ΡΠ°ΠΌΠ°ΡΡΡΠ³ΠΈΠΈ Ρ ΡΠΎΡΠΊΠΈ Π·ΡΠ΅Π½ΠΈΡ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° Π½Π°ΡΠ°Π»Π° XXI Π²Π΅ΠΊΠ° ΠΈ ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠ°ΡΡ ΠΈΠ΄Π΅Ρ Π½Π΅ΠΏΡΠ΅ΡΡΠ²Π½ΠΎΡΡΠΈ ΡΠ°Π·Π²ΠΈΡΠΈΡ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ ΠΏΡΠ΅ΡΡ Π² Π ΠΎΡΡΠΈΠΈ. Π ΡΠ΄Π½Π΅Π² ΠΎΠΏΡΠΎΠ²Π΅ΡΠ³Π°Π΅Ρ ΠΌΠ½Π΅Π½ΠΈΠ΅ ΠΎ ΠΏΡΠΎΠΏΠ°ΡΡΠΈ ΠΌΠ΅ΠΆΠ΄Ρ ΠΏΠΎΠΊΠΎΠ»Π΅Π½ΠΈΡΠΌΠΈ, ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°Ρ, ΡΡΠΎ Ρ ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΠ΅ ΠΈ Π½ΡΠ°Π²ΡΡΠ²Π΅Π½Π½ΡΠ΅ ΠΈΡΠΊΠ°Π½ΠΈΡ Π°Π²ΡΠΎΡΠΎΠ² ΡΠΎΠ²Π΅ΡΡΠΊΠΎΠ³ΠΎ ΠΏΠ΅ΡΠΈΠΎΠ΄Π° ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠ°ΡΡΡΡ Π² ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ Π΄ΡΠ°ΠΌΠ°ΡΡΡΠ³ΠΈΠΈ. ΠΠ½ΠΈΠ³Π° ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π° ΠΊΠ°ΠΊ ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΌ, ΡΠ°ΠΊ ΠΈ ΠΏΠΎΡΡΠΈ Π·Π°Π±ΡΡΡΠΌ Π°Π²ΡΠΎΡΠ°ΠΌ, Π° ΡΠ°ΠΊΠΆΠ΅ ΠΎΡΠ΄Π΅Π»ΡΠ½ΡΠΌ ΡΠ²Π»Π΅Π½ΠΈΡΠΌ, ΡΠ°ΠΊΠΈΠΌ ΠΊΠ°ΠΊ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΡΡΠ²Π΅Π½Π½Π°Ρ ΠΏΡΠ΅ΡΠ°, Β«ΡΡΠ°Π΄Π΅Π±Π½Π°Ρ Π΄ΡΠ°ΠΌΠ°ΡΡΡΠ³ΠΈΡΒ», Β«Π½ΠΎΠ²Π°Ρ Π΄ΡΠ°ΠΌΠ°Β» ΠΈ Π΄ΠΎΠΊΡΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΡΠΉ ΡΠ΅Π°ΡΡ.
Π ΡΠ΄Π½Π΅Π² Π., 2024, Theatrical Series
This monograph by P. Rudnev presents a panorama of Soviet post-war and post-Soviet drama from the 1950s to the present day, spanning from V. Rozov to I. Vaskovskaya. The author aims to examine the development of Soviet drama from the perspective of the early 21st century and to support the idea of the continuous development of modern plays in Russia. Rudnev refutes the notion of a gap between generations, emphasizing that the artistic and moral quests of Soviet authors continue in contemporary drama. The book covers both well-known and almost forgotten authors, as well as specific phenomena such as the industrial play, "estate drama", "new drama," and documentary theater.