By ΠΡΠ°Π²ΡΠ΅Π½ΠΊΠΎ ΠΠ΅ΠΎΠ½ΠΈΠ΄ ΠΠ΅ΡΡΠΎΠ²ΠΈΡ
ΠΠ΅ΠΎΠ½ΠΈΠ΄ ΠΠ΅ΡΡΠΎΠ²ΠΈΡ ΠΡΠ°Π²ΡΠ΅Π½ΠΊΠΎ, 2016, Π‘Π΅ΡΠΈΡ: ΠΠ°Ρ Π₯Π₯ ΠΠΠ
Π ΠΊΠ½ΠΈΠ³Π΅ ΠΠ΅ΠΎΠ½ΠΈΠ΄ ΠΡΠ°Π²ΡΠ΅Π½ΠΊΠΎ, ΡΡΠΊΠΎΠ²ΠΎΠ΄ΠΈΠ²ΡΠΈΠΉ ΡΠ΅Π»Π΅Π²ΠΈΠ΄Π΅Π½ΠΈΠ΅ΠΌ Π‘Π‘Π‘Π Π² 80-Π΅ Π³ΠΎΠ΄Ρ, Π΄Π΅Π»ΠΈΡΡΡ Π²ΠΎΡΠΏΠΎΠΌΠΈΠ½Π°Π½ΠΈΡΠΌΠΈ ΠΎ Π½Π΅ΠΏΡΠΎΡΡΠΎΠΌ, Π½ΠΎ ΡΡΠ°ΡΡΠ»ΠΈΠ²ΠΎΠΌ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ ΡΡΠ°Π½ΠΎΠ²Π»Π΅Π½ΠΈΡ Π½ΠΎΠ²ΠΎΠ³ΠΎ, ΠΆΠΈΠ²ΠΎΠ³ΠΎ ΡΠ΅Π»Π΅Π²ΠΈΠ΄Π΅Π½ΠΈΡ. ΠΡΠΎΡ ΠΏΠ΅ΡΠΈΠΎΠ΄ ΠΎΠ·Π½Π°ΠΌΠ΅Π½ΠΎΠ²Π°Π»ΡΡ ΠΏΠ΅ΡΠ²ΡΠΌΠΈ ΡΠ΅Π»Π΅ΠΌΠΎΡΡΠ°ΠΌΠΈ Ρ Π‘Π¨Π, ΠΏΠΎΠΊΠ°Π·ΠΎΠΌ ΡΠ°Π½Π΅Π΅ Π·Π°ΠΏΡΠ΅ΡΠ΅Π½Π½ΡΡ ΡΠΈΠ»ΡΠΌΠΎΠ² ΠΈ ΠΏΠΎΡΠ²Π»Π΅Π½ΠΈΠ΅ΠΌ Π½ΠΎΠ²ΡΡ ΡΠ΅Π»Π΅ΠΏΠ΅ΡΠ΅Π΄Π°Ρ ΠΈ Π²Π΅Π΄ΡΡΠΈΡ . ΠΠ²ΡΠΎΡ ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ ΠΎ ΡΡΡΠ΄Π½ΠΎΡΡΡΡ ΠΈ ΡΡΠΏΠ΅Ρ Π°Ρ , ΠΎ ΡΠΎΠ±ΡΡΠΈΡΡ , ΠΎΡΡΠ°Π²ΡΠΈΡ ΡΡ Π·Π° ΠΊΠ°Π΄ΡΠΎΠΌ, ΠΈ ΠΎ ΠΏΡΠΎΡΠΈΠ²ΠΎΡΡΠΎΡΠ½ΠΈΠΈ ΠΌΠ΅ΠΆΠ΄Ρ ΠΠΈΡ Π°ΠΈΠ»ΠΎΠΌ ΠΠΎΡΠ±Π°ΡΠ΅Π²ΡΠΌ ΠΈ ΠΠΎΡΠΈΡΠΎΠΌ ΠΠ»ΡΡΠΈΠ½ΡΠΌ Π·Π° ΠΊΠΎΠ½ΡΡΠΎΠ»Ρ Π½Π°Π΄ ΡΡΠΈΡΠΎΠΌ Π² ΠΏΠ΅ΡΠ΅ΡΡΡΠΎΠ΅ΡΠ½ΡΡ ΡΠΏΠΎΡ Ρ.
Leonid Petrovich Kravchenko, 2016, Series: Nash XX VEK
In this book, Leonid Kravchenko, who headed Soviet television in the 1980s, shares his memories of a challenging yet happy period marked by the emergence of new, dynamic television. This era saw the first teleconferences with the USA, the screening of previously restricted films, and the debut of new programs and hosts. The author recounts the triumphs and setbacks, the events that unfolded behind the scenes, and the political struggle between Mikhail Gorbachev and Boris Yeltsin for control of the airwaves during the Perestroika decade.